| 4551 |
An asset costing ₹50,000 is depreciated by ₹5,000 each year on the straight-line method. The rate of deprecia… |
Mathematics/Applied Mathematics
Linear depreciation |
Medium |
| 4552 |
A vehicle costs ₹1,20,000 and has a residual value of ₹20,000. If the straight-line depreciation is ₹12,500 p… |
Mathematics/Applied Mathematics
Linear depreciation |
Medium |
| 4553 |
A machine is bought for ₹80,000 and ₹5,000 is spent on installation. Its residual value after 10 years is ₹5,… |
Mathematics/Applied Mathematics
Linear depreciation |
Hard |
| 4554 |
A bond has a face value of ₹1,000 and an annual coupon rate of 8%. The annual coupon payment is: |
Mathematics/Applied Mathematics
Bond valuation |
Easy |
| 4555 |
A bond's coupon rate is exactly equal to the market rate of interest on similar bonds. The bond will sell: |
Mathematics/Applied Mathematics
Bond valuation |
Easy |
| 4556 |
If market interest rates rise after a fixed-coupon bond is issued, the price of that bond will: |
Mathematics/Applied Mathematics
Bond valuation |
Medium |
| 4557 |
A 2-year bond with face value ₹1,000 pays a 10% annual coupon. If the market yield is 8%, its value is approx… |
Mathematics/Applied Mathematics
Bond valuation |
Medium |
| 4558 |
A 3-year bond with face value ₹1,000 pays a 6% annual coupon. If the market yield is 10%, its value is approx… |
Mathematics/Applied Mathematics
Bond valuation |
Hard |
| 4559 |
Two singers sing the same note equally loudly, yet listeners can tell their voices apart. Which quality of na… |
Performing Arts
Sangeet, naad, shruti and swara |
Easy |
| 4560 |
Which swaras of the Hindustani octave are called achal because they have no komal or teevra form? |
Performing Arts
Sangeet, naad, shruti and swara |
Easy |
| 4561 |
According to the traditional distribution of 22 shrutis, how many shrutis belong to Ga and Ni taken together? |
Performing Arts
Sangeet, naad, shruti and swara |
Medium |
| 4562 |
A student counts all the distinct notes available within one saptak in Hindustani music. What total should sh… |
Performing Arts
Sangeet, naad, shruti and swara |
Medium |
| 4563 |
Statement I: The pitch of a note rises when its frequency of vibration increases. Statement II: The loudness … |
Performing Arts
Sangeet, naad, shruti and swara |
Hard |
| 4564 |
The note pattern "Ga Ga Ga Ga" sung on one note is an example of which varna? |
Performing Arts
Gram, murchana, varna and alankar |
Easy |
| 4565 |
Which of these three grams of ancient Indian music is said to have gone out of practical use? |
Performing Arts
Gram, murchana, varna and alankar |
Easy |
| 4566 |
A teacher makes students sing "Sa Re Ga, Re Ga Ma, Ga Ma Pa" up the octave and back. This exercise is best ca… |
Performing Arts
Gram, murchana, varna and alankar |
Medium |
| 4567 |
A melodic phrase goes "Sa Re Ga Re Sa Ni Sa". Which varna does it represent? |
Performing Arts
Gram, murchana, varna and alankar |
Medium |
| 4568 |
Why could the seven notes of a single gram produce seven different murchanas? |
Performing Arts
Gram, murchana, varna and alankar |
Hard |
| 4569 |
Which rule of raga formation does a melody break if it uses Re, Ga, Ma, Dha and Ni but never Sa? |
Performing Arts
Raga and its elements |
Easy |
| 4570 |
A sitar player pulls the string sideways so that the sound slides from Ga up to Ma without a break. This orna… |
Performing Arts
Raga and its elements |
Easy |
| 4571 |
In a khayal performance, a singer sings rapid runs of notes using the words of the composition instead of "aa… |
Performing Arts
Raga and its elements |
Medium |
| 4572 |
Which of these melodies cannot be a raga under the Hindustani rules of raga formation? |
Performing Arts
Raga and its elements |
Medium |
| 4573 |
A very brief, light touch of a neighbouring note just before the main note is sung, so that it adds colour wi… |
Performing Arts
Raga and its elements |
Hard |
| 4574 |
In the kingdom analogy of a raga, which note is compared to the minister? |
Performing Arts
Vadi, samvadi, anuvadi and vivadi |
Easy |
| 4575 |
A note that does not belong to a raga and would disturb its mood if used freely is called: |
Performing Arts
Vadi, samvadi, anuvadi and vivadi |
Easy |
| 4576 |
In raga Bhupali, Ga is the vadi and Dha is the samvadi. What are Sa, Re and Pa in this raga? |
Performing Arts
Vadi, samvadi, anuvadi and vivadi |
Medium |
| 4577 |
A raga's vadi is Dha, which lies in the uttarang. By the general rule, during which period is it likely to be… |
Performing Arts
Vadi, samvadi, anuvadi and vivadi |
Medium |
| 4578 |
Which raga has Ma as its vadi and Sa as its samvadi and omits Re and Pa entirely? |
Performing Arts
Vadi, samvadi, anuvadi and vivadi |
Hard |
| 4579 |
A raga uses five notes in its aroh and seven in its avroh. What is its jaati? |
Performing Arts
Aroh, avroh, pakad and thaat |
Easy |
| 4580 |
Which thaat has komal Re, komal Dha and teevra Ma, with all other notes shuddha? |
Performing Arts
Aroh, avroh, pakad and thaat |
Medium |
| 4581 |
How many melakartas (parent scales) are there in the Karnatak system as organised by Venkatamakhi? |
Performing Arts
Aroh, avroh, pakad and thaat |
Easy |
| 4582 |
Which statement about a thaat is NOT correct? |
Performing Arts
Aroh, avroh, pakad and thaat |
Medium |
| 4583 |
A scale uses Sa, Re, komal Ga, Ma, Pa, komal Dha and komal Ni. To which Bhatkhande thaat does it belong? |
Performing Arts
Aroh, avroh, pakad and thaat |
Hard |
| 4584 |
How many bols are placed in each matra when a theka is played in chhegun? |
Performing Arts
Laya and layakari |
Easy |
| 4585 |
A singer performs the 16 bols of Teentaal in dugun so that the last bol falls just before sam. From which mat… |
Performing Arts
Laya and layakari |
Medium |
| 4586 |
How many bols are spoken in one avartan of Jhaptaal recited in tigun? |
Performing Arts
Laya and layakari |
Medium |
| 4587 |
Which description fits aad laya? |
Performing Arts
Laya and layakari |
Hard |
| 4588 |
The chhota khayal and the tarana are usually sung in which laya? |
Performing Arts
Laya and layakari |
Easy |
| 4589 |
In Bhatkhande notation, which symbol marks the khali of a taal? |
Performing Arts
Taal terms |
Easy |
| 4590 |
What is one complete cycle of a taal, from sam back to sam, called? |
Performing Arts
Taal terms |
Easy |
| 4591 |
In Teentaal, on which matra does the khali fall? |
Performing Arts
Taal terms |
Medium |
| 4592 |
In which of these taals does the sam itself fall on a khali vibhag? |
Performing Arts
Taal terms |
Hard |
| 4593 |
A tabla player keeps repeating "Dha Ge Na Ti Na Ka Dhi Na" as the basic pattern for a song. This standard pat… |
Performing Arts
Taal terms |
Medium |
| 4594 |
Which taal has 10 matras divided into vibhags of 2, 3, 2 and 3? |
Performing Arts
Prominent taals |
Easy |
| 4595 |
How many aksharas (beats) make up one cycle of Karnatak Adi taal? |
Performing Arts
Prominent taals |
Easy |
| 4596 |
A 12-matra taal with taalis on 1, 5, 9, 11 is played on pakhawaj with the bols "Dha Dha | Din Ta | Kit Dha ..… |
Performing Arts
Prominent taals |
Medium |
| 4597 |
In Dhamar taal (vibhags 5-2-3-4), on which matra does the khali fall? |
Performing Arts
Prominent taals |
Hard |
| 4598 |
Which pair of taals is most commonly used for light songs such as bhajans, ghazals and folk songs? |
Performing Arts
Prominent taals |
Medium |
| 4599 |
Which vocal form is made up of sthayi, antara, sanchari and abhog and is accompanied by the pakhawaj? |
Performing Arts
Hindustani forms |
Easy |
| 4600 |
A song is sung in fast tempo using syllables such as "tana dere na, dir dir" with no meaningful words. It is … |
Performing Arts
Hindustani forms |
Easy |