| 1 |
Two singers sing the same note equally loudly, yet listeners can tell their voices apart. Which quality of na… |
Performing Arts Sangeet, naad, shruti and swara |
Easy |
| 2 |
Which swaras of the Hindustani octave are called achal because they have no komal or teevra form? |
Performing Arts Sangeet, naad, shruti and swara |
Easy |
| 3 |
According to the traditional distribution of 22 shrutis, how many shrutis belong to Ga and Ni taken together? |
Performing Arts Sangeet, naad, shruti and swara |
Medium |
| 4 |
A student counts all the distinct notes available within one saptak in Hindustani music. What total should sh… |
Performing Arts Sangeet, naad, shruti and swara |
Medium |
| 5 |
Statement I: The pitch of a note rises when its frequency of vibration increases. Statement II: The loudness … |
Performing Arts Sangeet, naad, shruti and swara |
Hard |
| 6 |
The note pattern "Ga Ga Ga Ga" sung on one note is an example of which varna? |
Performing Arts Gram, murchana, varna and alankar |
Easy |
| 7 |
Which of these three grams of ancient Indian music is said to have gone out of practical use? |
Performing Arts Gram, murchana, varna and alankar |
Easy |
| 8 |
A teacher makes students sing "Sa Re Ga, Re Ga Ma, Ga Ma Pa" up the octave and back. This exercise is best ca… |
Performing Arts Gram, murchana, varna and alankar |
Medium |
| 9 |
A melodic phrase goes "Sa Re Ga Re Sa Ni Sa". Which varna does it represent? |
Performing Arts Gram, murchana, varna and alankar |
Medium |
| 10 |
Why could the seven notes of a single gram produce seven different murchanas? |
Performing Arts Gram, murchana, varna and alankar |
Hard |
| 11 |
Which rule of raga formation does a melody break if it uses Re, Ga, Ma, Dha and Ni but never Sa? |
Performing Arts Raga and its elements |
Easy |
| 12 |
A sitar player pulls the string sideways so that the sound slides from Ga up to Ma without a break. This orna… |
Performing Arts Raga and its elements |
Easy |
| 13 |
In a khayal performance, a singer sings rapid runs of notes using the words of the composition instead of "aa… |
Performing Arts Raga and its elements |
Medium |
| 14 |
Which of these melodies cannot be a raga under the Hindustani rules of raga formation? |
Performing Arts Raga and its elements |
Medium |
| 15 |
A very brief, light touch of a neighbouring note just before the main note is sung, so that it adds colour wi… |
Performing Arts Raga and its elements |
Hard |
| 16 |
In the kingdom analogy of a raga, which note is compared to the minister? |
Performing Arts Vadi, samvadi, anuvadi and vivadi |
Easy |
| 17 |
A note that does not belong to a raga and would disturb its mood if used freely is called: |
Performing Arts Vadi, samvadi, anuvadi and vivadi |
Easy |
| 18 |
In raga Bhupali, Ga is the vadi and Dha is the samvadi. What are Sa, Re and Pa in this raga? |
Performing Arts Vadi, samvadi, anuvadi and vivadi |
Medium |
| 19 |
A raga's vadi is Dha, which lies in the uttarang. By the general rule, during which period is it likely to be… |
Performing Arts Vadi, samvadi, anuvadi and vivadi |
Medium |
| 20 |
Which raga has Ma as its vadi and Sa as its samvadi and omits Re and Pa entirely? |
Performing Arts Vadi, samvadi, anuvadi and vivadi |
Hard |